A Swiss discography

by Thomas Kadelbach

Thomas Kadelbach, né en 1979. Après des études d'histoire et littérature française à Angers, Fribourg et Madrid, il collabore au projet de recherche FNS Les relations culturelles internationales de la Suisse, 1945-1990. Thèse de doctorat sur Pro Helvetia et l'image de la Suisse à l'étranger. Actuellement collaborateur scientifique à l'Université de Neuchâtel.
, Thomas Kadelbach, born in 1979. Studied history and French literature in Angers, Fribourg and Madrid. Research assistant in the SNSF research project Switzerland's International Cultural Relations, 1945-1990. PhD thesis on Pro Helvetia and the image of Switzerland abroad. Currently scientific collaborator at the University of Neuchâtel.

folklore
music
disc

medias

At the end of the 1940s, Pro Helvetia began distributing recorded music to raise Swiss composers‘ profiles. Just as books and documentaries, records and CDs represent Swiss culture abroad. In the beginning of the 21st century this policy is continued with the production of various compilations of Swiss music.

Distribution of recordings abroad

At the end of the 1940s, Pro Helvetia began distributing recorded music to raise Swiss composers‘ profiles. Just as books and documentaries, records and CDs represent Swiss culture abroad. In the beginning of the 21st century this policy is continued with the production of various compilations of Swiss music.

Swiss folk music travels abroad

During the 20th century, Swiss folk music is only marginal to foreign cultural politics. Tours of folk music groups are hardly ever financed. But Pro Helvetia and other institutions include traditional music in their compilations. The promotional CD Swiss Alpine Music (2008) contains e.g. the Romansh song San Martin, interpreted by the band Tacala.

© SUISA

Resounding hospitality

2008 Pro Helvetia distributes a promotional compilation of various musicians from abroad, but working in Switzerland. Yet again one of the arts testifies to the country’s openness. The CD contains among others  the song çi daré  by the Kurdish singer Miço Kendes.

© SUISA

Swiss music

latest

A “second path” for Third-World countries

1970 to 2000

By their very nature, museums of ethnography are part of a country’s cultural relations.

The Swiss abroad – promoting cultural influence

1916 to 1976

For  a long time, Switzerland had been a country of emigration, its inhabitants leaving because of

Cultural relations and the National Commission for UNESCO

1949 to 2016

By joining UNESCO in 1949, Switzerland not only became part of one of the agencies of the UN, but

Rousseau made in Switzerland

1945 to 1968

Quite often, Rousseau was instrumentalised, reinvented and “helvetised” by Switzerland’s cultural

A brief survey of Swiss culture in Japan

1950 to 1970

In Japan book fairs enjoy high regard.

A young historian thinking about Switzerland’s cultural influence

1946

Pro Helvetia was founded in 1939 to join the struggle for the Spiritual Defence.

The architects and the renewal of cultural relations between Switzerland and Germany after World War II

1945

After the war, the question of cultural relations with the German neighbour remained something of

The origins of the Swiss pavilion at the “Cité Internationale Universitaire de Paris"

1925 to 1933

Combining cultural and science diplomacy, the Swiss pavilion at the “Cité Internationale Universit

Men and women working for Pro Helvetia

1939 to 2012

First and foremost, Pro Helvetia is a Board of Trustees, originally consisting of 25 members, and

Switzerland and UNESCO - a culture of peace

1946

“Since wars begin in the minds of men, it is in the minds of men that the defences of peace must b