Distribution of recordings abroad
At the end of the 1940s, Pro Helvetia began distributing recorded music to raise Swiss composers‘ profiles. Just as books and documentaries, records and CDs represent Swiss culture abroad. In the beginning of the 21st century this policy is continued with the production of various compilations of Swiss music.
Swiss folk music travels abroad
During the 20th century, Swiss folk music is only marginal to foreign cultural politics. Tours of folk music groups are hardly ever financed. But Pro Helvetia and other institutions include traditional music in their compilations. The promotional CD Swiss Alpine Music (2008) contains e.g. the Romansh song San Martin, interpreted by the band Tacala.
2008 Pro Helvetia distributes a promotional compilation of various musicians from abroad, but working in Switzerland. Yet again one of the arts testifies to the country’s openness. The CD contains among others the song çi daré by the Kurdish singer Miço Kendes.
By their very nature, museums of ethnography are part of a country’s cultural relations.
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Pro Helvetia was founded in 1939 to join the struggle for the Spiritual Defence.
The architects and the renewal of cultural relations between Switzerland and Germany after World War II
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Combining cultural and science diplomacy, the Swiss pavilion at the “Cité Internationale Universit
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During the summer of 1968, Switzerland took part in HemisFair in San Antonio, the first world’s f
The Swiss Institute in Rome is the first Swiss arts centre abroad.
Hugo Loetscher’s career as a writer and journalist eloquently illustrates the literary dimension of...
The painter René Auberjonois from Vaud is the first artist to benefit from a personal Pro Helvetia...
In 1977, the writer Etienne Barilier, born in the canton of Vaud in 1947, published Le Chien Tristan
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Until the 1960s, Pro Helvetia rarely considered contemporary literature in its international activities.
In exhibitions organised abroad, the arts and the nation tend to get mixed up.